Deformed flying killer clowns from outer space, huge pink cotton candy cocoons, a vast collection of awful eighties haircuts, boxing gloves...

No DiCaprio charm, no DeNiro flair, just the dull echoes of a mundane Oscar bait. No epic scenes, no grand crescendo, just a script that fa...

Tony Scott masterclass in a tight and dark space. Sixty minutes to launch, sixty minutes to the end credits, Denzel Washington Jack Bauer s...

In an interview with The A.V. Club, Bronson Pinchot - the wonderful Serge, by far the best thing on this disasterous script - claimed that ...

O Paul Schrader num directo para vídeo porque foi corrido pela produtora mal acabou de filmar - edição e montagem sem a sua supervisão e au...

O Lanthimos é um Terry Gilliam com mais juízo, talento e olho (de peixe) cinéfilo, mas ainda assim deixa por vezes a narrativa descarrilar ...

So great to remember the late Gilbert Gottfried in this sequel. Very small role, but that was some good old typical Gottfried on his one sc...

According to Steven Berkoff, Stallone gave up on being Axel Foley because he got mad about the orange juice that was served in his trailer....

Scorsese had tons of filmmaking concepts he wanted to do, but no idea how to glue them all in a logical integrated narrative. It works aest...

The cinematography is in fact admirable - that german expressionism look all around and that underwater shot of "mummy" that is u...

"- Is she a prostitute? - Worse. She is a pop star." Deeply and carefully layered - as Sorrentino usually likes to offer us -, w...

It's a really vibrant crime comedy, amazingly structured, a kind of chaotic rollercoaster of dodgy deals and colorful characters. "...

I'm alone here, but I honestly think that this third movie makes a better exploration of redemption and morality than the previous two ...

Uma pena aqueles trituradores embutidos nos lava-loiças não serem uma realidade habitual na Europa. O cinema europeu teria muito a ganhar. ...