Ainda a propósito do chauvinismo crítico...

"Art has issued from Hollywood’s most populist domains, from the very start. It’s as important for critics to recognize it in “The Wolf of Wall Street,” “The Master,” and “Funny People,” as in the more conspicuously artistic tones of such independent films as “Upstream Color” and “Computer Chess.” It’s here—with movies that have little or no festival exposure and go straight to wide release—that mainstream critics can have a salutary effect by according aptly serious discussion, and apt appreciation, to movies that themselves are contending in the mainstream market." [F]