"- Is she a prostitute? - Worse. She is a pop star." Deeply and carefully layered - as Sorrentino usually likes to offer us -, with an amazing final fifteen minutes full of possible different interpretations. Some characters and storylines felt kind of unnecessary - the spiritual masseuse or the forced relation between Rachel Weisz and the alpinist -, but, at the end, Mick got his ending right. PS: Mãdãlina Ghenea on that pool scene? So stunning that trying to define it by words would be a sort of profanity.
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